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臺北市藝文推廣處114年7至12月音樂沙龍申請公告，請大家踴躍報名。
發佈: 2025年02月08日
點擊數: 1175

說明：

一、臺北市藝文推廣處為鼓勵表演藝術愛好者及專業團體舉辦音樂演出，進而提升民眾藝術素養，特舉辦「音樂沙龍」活動，歡迎音樂領域演出者踴躍申請。

二、活動申請規範詳如附件，或可參照該處網站最新消息。

三、如有相關問題請洽活動承辦人：蕭小姐，電話(02)25775931轉342。

教育部轉知文化部修正「藝文採購勞務契約範本」、「藝文採購財物契約範本」。
發佈: 2025年01月23日
點擊數: 1487

說明：

一、配合行政院公共工程委員會113年12月26日工程企字第1130100614號函暨113年12月26日工程企字第1130100402號函修正採購契約範本，爰修正旨揭藝文採購契約範本。

二、旨案電子檔資料（含條文及對照表）登載於本部文化藝術採購及著作權專區（https://art.culture.tw）之「資料區」，請自行下載參用。

臺北市台北青年管樂團辦理「2025台北青管定期音樂會系列Ｉ《諸神的盛宴》」相關資訊，請大家踴躍參加。
發佈: 2025年01月03日
點擊數: 2418

說明：

一、2025台北青管定期音樂會系列Ｉ，精選描寫東西方如日本、北歐與希臘眾神明的音樂，由國家交響樂團法國號助理首席黃任賢老師，指揮台北青年管樂團二團演出。

二、旨揭音樂會相關訊息如下：

(一)演出時間：114年1月18日（星期六）晚上7點30分。

(二)演出地點：新北藝文中心演藝廳（新北市板橋區莊敬路62號）。

(三)購票與折扣優惠查詢請至OPENTIX售票系統（http://reurl.cc/yDv88E）；相關問題請逕洽台北青管樂團經理王先生（02-23223654）。

(四)相關音樂會資訊請至台北青年管樂團臉書粉絲專頁查詢（http://www.facebook.com/tsbgroup）

The 3rd Digital Creation and NFT Open Call Exhibition Guidelines
發佈: 2025年01月13日
點擊數: 2532

2025 National Chengchi University 25th Artist-in-Residence Program: Pre-Event Activity

The 3rd Digital Creation and NFT Open Call Exhibition Guidelines

 

About the Event

In 2023, the NCCU Arts and Culture Center launched its first campus-wide digital creation call for submissions under the theme “FACES.” Thirteen NCCU students reflected on their internal states through external representations, exploring the transformation between online and offline identities and fostering a dialogue between nature and culture. In 2024, the second call for submissions, themed “He, She, It: Residing in Multiple Universes,” explored the connections between humans and objects. Eleven faculty and student creators produced works reflecting imaginations of places, people, time, space, and even the universe. Over the past two years, selected works have been showcased through physical exhibitions and a cloud-based art gallery, collecting both images and videos, to highlight the vibrant creative energy of NCCU faculty and students. As we enter 2025, the NCCU Arts and Culture Center proudly presents the theme “Resonance in Space,” revisiting the research and practice of laser art by Taiwan’s pioneering technological artists YuYu Yang and Arthur Yang. Their spirit of exploration and self-reflection in confronting the unknown offers profound insight for us in today’s rapidly accelerating era.

YuYu Yang (1926–1997) was a Taiwanese sculptor whose career spanned from the aftermath of World War II to the late 20th century. His works encompassed a wide range of mediums, including oil painting, printmaking, sketches, ink painting, cartoons, art design, sculpture, and landscape planning. Known for his innovative and bold approach, YuYu Yang played a key role in leading Taiwan’s art toward modernity and variety. Arthur Yang (1955–2015) carried forward his father YuYu Yang’s achievements in public art and expanded upon them by integrating traditional and modern technologies into his sculptures. His works expressed the boundless forces of nature and reimagined the beauty of local mountain and water landscapes. In 1977, YuYu Yang was deeply inspired by an international laser music performance and collaborated with scholars and Arthur Yang to introduce the technology to Taiwan. In 1978, along with Council for Cultural Affairs Chair Chen Chi-lu and National Tsing Hua University President Mao Kao-wen, he co-founded the Laser Science and Art Promotion Association of the Republic of China. In 1979, the “Great Han Laser Science and Art Research Institute” was established, with Arthur Yang focusing on laser experiments and promotion. The 1980 “Great Han Laser Landscape Exhibition” marked Taiwan's first laser sculpture exhibition.

The characteristics of laser art bear a remarkable resemblance to algorithmic art. Artists have long embraced “randomness” as a method for artistic creation. Since the 1960s, artists have used traditional computer programming (distinct from machine learning) to generate countless outcomes by continuously adjusting parameters within random or semi-random processes. This event invites participants to reflect on the intersection of art, technology, light, and life as explored by past masters. It encourages dialogue between past and present technological mediums, deepening the significance of digital works. By engaging in these explorations, we hope to inspire audiences to contemplate historical and cultural narratives, fostering a stronger resonance with digital art.


Event objective

  1. Promote creativity within the university and encourage students to participate in presentations
  2. Encourage students and faculty to join in exploring innovative ways of incorporating digital art to gain an understanding of crypto art.
  3. Allow education about digital art and virtual galleries to enrich the scope and variety of the NCCU Art and Culture Center's collection.

Event Details:

  1. Eligibility for Submission: Open to all university members. Faculty, staff, and students are welcome to register and submit works for the exhibition selection process.
  2. Submission Format: Participants are required to submit digital images or video files. A programming workshop will be held beforehand to guide faculty and students interested in algorithmic art in creating their works.
  3. This event encourages the use of programming languages for creating works within the field of "Generative Art." Generative Art refers to art created entirely or partially through autonomous systems. Within this realm, "Algorithmic Art" involves the use of computer algorithms, allowing systems to collaboratively produce works characterized by randomness, unpredictability, real-time dynamics, and interactivity. Submissions may be saved in high-resolution image or video formats, reflecting the nature of time art.
  4. Non-fungible tokens (NFTs) can encapsulate static images, dynamic videos, digital models, or audio files into a data format recorded on the blockchain. This ensures that creators retain ownership of specific works while enabling the exchange and dissemination of their creations to generate new value. NFTs disrupt traditional methods of exhibition, making art easier to create and interact with. For this event, NFT formats will be used to collect and archive exhibition pieces.

NCCU members are invited to submit digital files or NFT images based on the theme “Resonance in Space” within the specified deadline. Selected submissions will be exhibited at the NCCU Computer Center in March 2025.

 

Creative Themes:

Submissions may draw inspiration from the following themes:

Homage to YuYu Yang / Arthur Yang, Narrative Landscape, Legend, Light and Illusion, Resonance, Interference, or other related imaginative concepts.

 

Registration

1.Each participant may submit up to one work for exhibition. Single image submissions must be in PNG format, with a file size of at least 2MB. Video submissions must be within 1GB for review, with higher-resolution files required for the final exhibition.

2.Please complete the online registration form and submission process by 11:59 PM, Sunday, March 9, 2025.

3.Provide a description of the work (maximum 200 words).

4.Submit the exhibition authorization consent form.

5.Notifications and updates, including shortlisted entries, will be announced on the NCCU Arts and Culture Center’s Facebook page and the Office of Student Affairs website.

 

Participating in the Exhibition 

  1. The exhibition will be held on the first floor of the NCCU Computer Center.
  2. Selected works will be displayed by the Arts and Culture Center. Exhibited works may be presented as printed images, screen displays, or other formats depending on the space.
  3. Authorized images and descriptions of the works will be used for both physical exhibitions and archived in the virtual gallery.

 

Selection Criteria:

Judges will include faculty members and external experts who will score submissions based on the following criteria:

Category and Weight

Evaluation Description

Creative Concept (40%)

Relevance to the theme, uniqueness, and clarity of concept.

Visual Composition (40%)

Use of color, texture, composition, proportion, and visual elements.

Other (20%)

Potential for application, diversity in series work, and use of digital technology.

 

Awards:

Selected participants will receive a certificate of exhibition participation.

 

Timeline:

      Creative Workshop: 1:00 PM - 5:00 PM, Saturday, March 1, 2025.

                       Venue: Classroom 270306 3F, General Building of Colleges (North)

      Registration Deadline: By 11:59 PM, Sunday, March 9, 2025.

Exhibition Timeline:

  1. Selection Period: Monday, March 10, 2025, to Tuesday, March 11, 2025.
  2. Announcement Date: Wednesday, March 12, 2025.
  3. Exhibition Dates: 8:30 AM, Wednesday, March 19, 2025, to 5:00 PM, Thursday, June 6, 2025.

Contact Information:

  1. Organizer: NCCU Arts and Culture Center, Office of Student Affairs 
  2. Registration Form: https://reurl.cc/V0MQzA

Announcements: 

Facebook Page: https://www.facebook.com/nccuarts/

Official Website: https://reurl.cc/E4Q11R

Contact: Ms. Huang myh@g.nccu.edu.tw (02-2939-3091 ext. 63391)

 

Previous Digital Art Exhibitions – Virtual Galleries

First Exhibition: https://virsody.io/exhibition/nccuart1

Second Exhibition: https://virsody.io/exhibition/nccuart2

Fx(hash) collection  

  

政大傳院劇場「得時の夢 精華版」，請大家踴躍參加
發佈: 2024年12月11日
點擊數: 1919

說明：

精華版《得時の夢》節目介紹
生存於民間的布袋戲總是站在時代大眾娛樂的現場，不但要面對不同時代人民對於藝術審美的轉變，也要在政權轉變下堅韌地存活下來。在日治末期，面對當時日本文樂、現代偶劇的環伺，黃得時始終堅定相信本土布袋戲藝術的獨特性與價值。
臺北木偶劇團為臺灣具代表性的傳統偶戲團隊，跳脫以往傳統家族戲班的組成與包袱，以保存臺灣傳統藝術為主軸，並藉由實際的考察、田調與老藝師們共同建構出不同時期的作品。在世替交換的洪流下開始與現代導演及不同領域的藝術家共同合作，將傳統布袋戲重新柔和呈現出屬於這時代的新布袋戲作品。 
《得時の夢》榮獲台新藝術獎入圍，當天將由主演金曲獎得主吳聲杰導讀並演出，精采可期！
 
About the “Dream of Becoming“
Living within the folk community, Taiwanese puppetry has always occupied a place in the arena of popular entertainment, having to not only face the changing aesthetic tastes of people in different eras but also to resiliently survive under changes in political regimes. In the final years of Japanese colonial rule, amidst the influence of Japanese traditional puppet theatre, Bunraku (文樂), and modern puppetry, Huang Deshi remained steadfast in his belief in the uniqueness and value of indigenous puppetry art.
The Taipei Puppet Theater is a representative traditional puppetry troupe in Taiwan. Breaking away from the traditional family-based puppetry troupes and their constraints, it focuses on preserving Taiwanese traditional arts. Through practical research, fieldwork, and collaboration with master puppeteers, the theatre constructs works representing different periods. Amidst the tide of generational exchange, the theatre began collaborating with modern directors and artists from various fields, reinterpreting traditional Taiwanese puppetry to create new puppetry works that resonate with the contemporary era. "Dream of Becoming (得時の夢)" not only represents Mr Huang Deshi's imagination of traditional puppetry but also embodies the modern professional theatre troupe's contemplation on how to adapt to the times—a dream of art conforming to the zeitgeist!
 
活動日期：113年 12月 19日
活動時間：19:00-21:00

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